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Carroll Baker

Carroll Baker

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Malden's bulbous nose and thinning hair made him one of the most familiar sights in movies and on television for five decades.

In the 1970s, he became known to millions of viewers as a police veteran who partners with a young inspector played by Michael Douglas on the ABC drama series "The Streets of San Francisco." The show led to Mr.

Malden's 21-year role as the trench coat-wearing pitchman for American Express who urged customers not to leave home without their traveler's checks.

He joked that this became his best-known part, despite his reputation as one of the most versatile actors in more than 70 films and television movies.


Malden was a steelworker before winning important stage roles on Broadway.

He made his greatest mark on Hollywood in the early 1950s as part of a group of New York theater stars -- headed by actor Marlon Brando and director Elia Kazan -- who were trying to bring an unpredictable, realistic style of acting to audiences "I hadn't met anyone that non-actorish before, non-theater-like," Kazan once said of Mr.


"The minute I saw him, I knew he came from something.

It turned out to be the steel mills, and it was a thing that was very important for a director, because you feel, 'Here's a person who can play difficult parts, rough parts, physical parts, who doesn't get frightened easily, who's all there when I need him.' " Kazan said Mr.

Malden was a great player to have opposite Brando because he had the impression Mr.

Malden could tell Brando to "go to hell" without being intimidated.

Kazan directed Mr.

Malden and Brando in Tennessee Williams's drama "A Streetcar Named Desire" on Broadway in 1947 and then in the 1951 film version.


Malden won the Oscar for his supporting role as Mitch, who romances an emotionally fragile Southern belle related to Brando's character, Stanley Kowalski.

Jessica Tandy played the woman onstage and Vivien Leigh was in the film version.


Malden later wrote in a memoir: "If Jessica had played it, I wouldn't have been in the movie, and neither would Kim Hunter [as Brando's stage wife].

Because Jessica was no star and neither was Brando.

But Vivien, who after 'Gone With the Wind' was the biggest thing you ever saw -- she could carry us all." Again working under Kazan, Mr.

Malden was nominated for an Oscar in his role as the dockside priest who rallies a punched-out prizefighter (Brando) to stand against a corrupt union in "On the Waterfront" (1954).


Malden brought actress Eva Marie Saint, whom he had known at an acting workshop in New York, to Kazan's attention for what would be her movie debut and Oscar-winning role as Brando's love interest.

Perhaps none of Mr.

Malden's films received as much publicity as "Baby Doll" (1956), based on two short plays by Tennessee Williams.

The film, again with Kazan directing, gave Mr.

Malden a rare chance for a leading role.

He played a devious Southern cotton gin operator desperate to consummate his marriage to a teenage bride (Carroll Baker).

Eli Wallach plays his young rival in business and love who ultimately cuckolds Mr.

Malden's character.
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